Roya, a modern middle-class Muslim woman struggles to find herself in the sprawl of urban Bangladesh. After being replaced by a younger actor for the character of ‘Nandini’—the epitome of Bengali womanhood, the central character of Rabindranath Tagore’s political play ‘Red Oleanders;’ she delves into a psychological journey and battles to reconstruct ‘Nandini,’ reclaiming her identity and sexuality in the process. As she sets the play in a modern day ready-made garment factories in Dhaka; her journey to establish her individuality as a middle class woman is juxtaposed with the journey of her teenage housemaid Moyna, who later joins the industrial workforce.